Born Yesterday (Nov 23 – Dec 2, 2017)

The second play, running between November 17 and December 2, 2017, will be the glorious classic of the American stage which enjoyed one of the longest runs in history, Born Yesterday by Garson Kanin. It has roles for 12 men and 5 women.

A Broadway triumph-turned-1950 Academy Award-nominated film, Born Yesterday is a deliciously witty screwball comedy about a corrupt businessman trying to get ahead. Harry Brock, a vulgar, egotistical junk-dealer millionaire on the rise, hunkers down in a lavishly decorated hotel room in Washington with his brassy chorus girl girlfriend Billie Dawn in tow. Hoping to influence a senator in some personal business dealings, he soon gets advice suggesting that the seemingly dim-witted blonde will need a little polish to get ahead in D.C. society. Brock hires a newspaperman for the task but gets more than he bargained for when, in a deliriously funny and romantic turn of events, he discovers a little bit of learning can be a dangerous thing. “Total comic bliss” said theNew York Times.

Born Yesterday premiered on Broadway in 1946, and seventy years later it still entertains and gently enlightens. Regardless of the time period, the play is far more relevant than you might think. It is about wealth, political corruption, education and opportunity. As the current political situation in the United States demonstrates, there is still plenty to say on these topics, and evidently Kanin felt the same way back in the forties. It has been revived successfully on Broadway several times.

The Deep Blue Sea (Sept 28 – Oct 7, 2017)

The season will open with the British Drama, The Deep Blue Sea by Sir Terence Rattigan.

The Deep Blue Sea offers a portrait of a woman caught between forbidden love and the fear of loneliness, or the devil and the deep blue sea. It is now considered one of Rattigan’s greatest triumphs. It was first produced at the Duchess Theatre, London, on 6 March 1952.

The play’s action takes place in the sitting-room of a furnished flat in a block in the north-west of London, over the course of a single day. It begins with the discovery of a body lying in front of a gas fire. Hester Collyer has left her husband, Sir William Collyer, a high court judge, to live with Freddie Page, an alcoholic fighter pilot from the last war. Injured beyond endurance by his continual failure to return her passion, she has tried to commit suicide, and has only failed because the gas meter ran out before she could complete the act. She is discovered by four other residents of the tenement block: a married couple, Philip and Ann Welch, the landlady, Mrs. Elton, and a mysterious ex-doctor, Mr. Miller. The play follows Hester through the rest of the day as the consequences of her attempt induce Freddie to leave her, and threaten to push her towards a second suicide attempt.

The Deep Blue Sea is a study of forbidden love, suppressed desire, and the fear of loneliness – but is at heart a deeply moving love story, a portrait of need, loneliness and long-repressed passion. “…a play that cuts at the heart… a masterpiece.” ~ Daily Telegraph, 2011

One of the greatest plays of the 20th century… an emotionally devastating study of the inequality of love. It has been filmed twice, first with Vivien Leigh and then with Rachel Weiss, and was recently revived to great acclaim at the British National Theatre.

Anything to Declare? (May 18-27, 2017)

STAGE CENTRE PRODUCTIONS

proudly present the fifth and final play of their milestone 40th season

  

Anything to Declare? 

A chaotic and wacky farce by Maurice Hennequin and Pierre Veber

Translated and adapted by Greg Leaming

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“Side-splittingly funny… The utterly ridiculous is also utterly hilarious. From start to finish Anything to Declare? had me giggling.” ~ The Mancunian, 2014

*8are c y, a boulevard comedy that is This is a funny,

Directed by Tony Rein 

Producer: Michael James Burgess

Stage Manager: Lorraine Kimsa

Set Design: J. B. Pierre Rajotte

Lighting by Clay Warner

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With Tommy Boston, Katherine Cappellacci, Michael Chodos, Kate Coursey, Robert Glen, Jennie Garde,

Jen Hashimoto, Catherine Linehan, Kalen Malan, James Marshall, Pierre Rivard, Lindsay Woodford and Michael Yaneff

*

“Panic is the chief ingredient…. as the emergencies mount for a bashful bridegroom, his hypocritical father-in-law, a frustrated former suitor and a de-pantsed camel dealer.” ~ San Francisco Chronicle

The Dupont family is thrilled that their naïve young daughter has married Count Robert de Trivelin. However, upon returning from their honeymoon, it is made clear that the young bridegroom has yet to consummate the marriage, and indeed seems to be suffering from a psychological block brought on by a border crossing guard yelling out “Have you anything to declare?” at a particularly inopportune moment. The hapless count’s in-laws give him a three-day deadline by which to do his duty. If he fails, his bride will be handed over to a rival suitor!

With such a short time left to meet his mother-in-law’s demands for a grandson, or at least the promise of one, the count seeks the assistance of Zeze, a courtesan who is passing herself off to her clientele as a prominent artist and nicknames her clients after famous painters.  The entire Dupont family manages to parade through Zeze’s salon and back to the Dupont home, along with a sobbing ex-suitor of the bride, a camel dealer of unknown origin, and a maid desperate to break ties with Zeze and start a career of her own. As the clock continues to tick away, a chaotic race to consummate the marriage results in everyone learning just a little bit more than they might have wanted to!

Yes, the play is all about sex — but sex in a world of old-fashioned innocence where young women remain chaste until their wedding night and husbands would do anything — including a visit to a ‘working girl’ — to prove how much they love their wives. But it’s a French farce, of course, which means that innocence is wrapped in a wacky story of misplaced pants, mistaken identities, and a whirlwind of zany characters running in and out of lots of doors.

Anything to Declare?, with its bawdy innuendo, utterly absurd situations, and sparkling characterizations, will have Stage Centre audiences laughing until the final curtain!

“Improbable situations, mistaken identity, stylized performances and verbal dexterity on themes of various levels of sophistication.” ~ Stage Magazine, 2012

 May 18 – 20 & May 24 – 27, 2017: 8:00 p.m.

May 21 & 27, 2017:  2:00 pm Matinee

 “Great fun!” ~ Michael Billington, The Guardian, 2007

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For further information please contact 416-299-5557

Stepping Out (March 16-25, 2017)

STAGE CENTRE PRODUCTIONS

proudly present the fourth play of their 40th season

“A surefire winner.” ~ New York Daily News

Stepping-Out-Banner

 

A delightful and heart-warming comedy

*

“You’ll stand up and cheer.” ~ WABC-TV

**

Directed by Lorraine Kimsa 

Producer, Stage Manager and Set Designer: Todd Davies

Lighting by Jaime Farley   

*

With Astrid Atherly, Cathy Condie, Brad Emes,

Willene Falconer, Judy Gans, Jennie Garde, Heather Goodall, Nikki Hogan, Isabel Hornstein and Cindy Platten

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“… a character driven plot… mixed with comic and dramatic moments… an excellent show with laughs and poignancy along the way.” ~ The Theater Mirror

 

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This well-loved comedy charts the lives of seven women and one man attempting to tap their troubles away at a weekly dancing class. Initially all thumbs and left feet, the group is just getting to grips with the basics when they are asked to take part in a charity gala.

Over the course of several months we meet the group, and all of them have a story to tell. There’s haughty Vera, mouthy Maxine and uptight Andy; bubbly Sylvia and shy Dorothy; eager Lynne and cheerful Rose, and, of course, Geoffrey. At the piano is the dour Mrs. Fraser and spurring them all on, the ever-patient Mavis, a former professional chorus girl, who tries her hardest to teach the bumbling amateurs some terpsichorean skills.

The original production opened at the Duke of York’s Theatre, London, in 1984 and ran for almost three years. It was awarded the Evening Standard Award for Best Comedy. Stepping Out played on Broadway in 1987 and has been staged successfully world-wide by both professional and amateur companies. A new production plays at London’s Vaudeville Theatre between March and June this year.

Stepping Out was produced as a film in 1991, directed by Lewis Gilbert, and starring Liza Minnelli, with Julie Walters who was nominated for a BAFTA Award.

Stage Centre Productions are offering a highly entertaining version of this well-loved favourite, one not to be missed.

“A funny, slick show which leaves you with a warm glow.” ~ The British Theatre Guide

 

March 16 – 18 & March 22 – 25, 2017: 8:00 p.m.

March 19 & 25, 2017:  2:00 pm Matinee

 

“Constantly simmers with laughter.” ~ Sunday Express

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Stage Centre Productions’ fourth play of the 40th season at the Fairview Library Theatre, Stepping Out opens on Thursday, March 16, 2017 and runs until Saturday, March 25, 2017. Please call the Box Office at 416-299-5557 to reserve tickets or book on line through http://www.stagecentreproductions.com.

DATES:  March 16 to 19 (Thursday to Sunday) and March 22 to 25 (Wednesday to Saturday)

MEDIA/VIP OPENING:  Thursday, March 16, 2017 at 8:00 p.m.

TIMES:   Performances begin at 8:00 p.m., except the matinees on March 19 and 25, which begin at 2:00 p.m.

 

TICKETS:  Adults $30 Seniors/Students $25   To order tickets call 416-299-5557 or click http://www.stagecentreproductions.com.

LOCATION: Fairview Public Library Theatre, 35 Fairview Mall Drive, North York, steps away from the Don Mills Subway Station on the Sheppard Line. There is plenty of free parking in the Fairview Mall parking lot. Both wheelchair access and hearing devices are available.

Stage Centre Productions, a full repertory theatre company founded in 1977 and dedicated to presenting a wide cross-section of plays, usually offers five productions each season. We are now celebrating our 40th season with Entertaining Angels (September 29 to October 8, 2016), The Best Man (November 24 to December 3, 2016), Strictly Murder (January 26 to February 4, 2017),Stepping Out (March 16 to 25, 2017) and Anything to Declare? (May 18 to 27, 2017). This season is the sixth under Artistic Director Michael James Burgess, who brings many years of experience to the company.

 

The company constructs all the sets, costumes, wigs and properties required for each production at its rehearsal workshop in Scarborough.

 

For more information about Stage Centre Productions check out our website at http://www.stagecentreproductions.com.

For further information please contact 416-299-5557

Strictly Murder (Jan 26 – Feb 4, 2017)

Strictly Murder by Brian Clemens

April 1939. An English couple, Peter and Suzy, are living in Provence in idyllic isolation, far, it seems, from the rumblings of the coming war. Their peace is shattered from within when Suzy discovers she has been betrayed: Peter is not the man he claims to be! Is he in fact a ruthless killer on the run? When a Scotland Yard detective arrives, events become even more complicated and frightening. Lies, subterfuge and murder make this fast-moving thriller a dark and disturbing roller coaster of bluff and double bluff. “…an intricate, interesting and enigmatic story… plenty of intrigue and suspense…” ~ British Theatre Guide

The Best Man (Nov 24 – Dec 3, 2016)

The Best Man by Gore Vidal

William Russell, the former U.S. Secretary of State, is a wit and scholar with high liberal principles, beloved of the eggheads and suspected by practical politicians. Joseph Cantwell is a ruthless and hard-driving young man, a dirty fighter who lets no scruples stand in the way of his ambitions, and Arthur Hockstader is an ex-President, who loves politics for their own sake, admires a rough-and-tumble battler more than a chivalrous one, and is determined to have the final say in the selection of his party’s candidate. Cantwell has got hold of papers indicating that his rival once suffered from a mental crackup, which he is all set to use. Then his scrupulous antagonist comes across some incriminating evidence about Cantwell… “Well-crafted and witty with surprises, reversals, pungent character sketches, satire, worldly wisdom and juicy roles for all concerned.” ~ New York Magazine

Entertaining Angels (Sept 29 – Oct 8, 2016)

Entertaining Angels by Richard Everett
From September 29 to October 8, 2016

A North American premiere!

As a vicar’s wife in an English country parish, Grace has spent a lifetime on her best behaviour. Now, after the death of her husband Bardolph, she can enjoy the new-found freedom of being able to say and do exactly what she wants. But the return of her eccentric missionary sister, Ruth, together with some disturbing revelations, forces Grace to confront the truth of her marriage. Set in a lush vicarage garden, the play is filled with sharp-edged comedy and probing wit. A very English comedy with some real emotion… scratch the surface and you’ll find interesting undercurrents rippling the water… Adultery, miscarriage, divorce and deception interestingly handled all, are just some of the problems that writer Richard Everett beds down among well-received jokes… This is a sure-fire hit…” ~ London Evening Standard

You Never Can Tell (May 19-28, 2016)

An Irish Comedy by George Bernard Shaw.

The comedy You Never Can Tell was George Bernard Shaw’s 1896 answer to The Importance of Being Earnest. As the play opens, Mrs. Clandon and her children, Dolly, Phillip and Gloria, have just returned to England 18 years after their departure. The children have no idea who their father is and, through a comedy of errors, end up inviting him to a family lunch. At the same time, a dentist named Valentine has fallen in love with the eldest daughter, Gloria, who considers herself a modern woman and claims to have no interest in love or marriage. Will Valentine succeed in changing her mind? Throughout the play, the wise and friendly waiter, Walter (most commonly referred to by the characters as “William,” because Dolly thinks he resembles Shakespeare), dispenses his wisdom with the titular phrase “You Never Can Tell.” The New York Dramatic Mirror thought the comedy “So full of whimsical turns . . . It is brainy champagne.” We hope you will think so too!