She Stoops to Conquer (May 1-17, 2003)

A Farce by Oliver Goldsmith

“Witty . Charming! . Entertaining!”

A wonderful rollicking Restoration comedy! Eighteenth century England comes to life in this riotously funny comedy of manners. Two well-to-do young gentlemen, Marlow and Hastings, mistake the baronial country home of Squire Hardcastle for a roadside inn. As they meet the family so they treat them as employees of a common public house. The ensuing situations become hilarious. In retaliation, Kate, the beautiful and clever daughter of the house, disguises herself as a servant, and in so-doing becomes a true conqueror when she acquires a handsome and wealthy young husband.

An Inspector Calls (March 6-22, 2003)

A Thriller by J.B. Priestley

“A psychologically adept work and a most engaging play!”

Though ostensibly a remarkably clear and effective drama, an air of mystic unreality underlies An Inspector Calls. When a young girl commits suicide in an English industrial city, an eminently respectable British family is subject to a routine enquiry in connection with the death. An inspector calls to interrogate the family. All are to some degree implicated, but what was a friendly and closely-knit family at the beginning of the evening is reveled as selfish, self-centered and cowardly before the night is over. And who was the “inspector”? Why was no suicide reported to the police? How did he know?

Sweet Bird of Youth (January 9-25, 2003)

A Drama by Tennessee Williams

“Once again, a bolt of thunder has been hurled by Williams, and the theatre reverberates to its roar!”

The Princess, an aging motion picture actress in flight from her latest screen disaster, picks up Chance Wayne, a young hustler. Taking advantage of her drunkenness, and his own youth and good looks he lures her to the Southern town of his birth to see a young girl with whom he has had an affair and still loves. He hopes to use the Princess to promote a movie career for himself and his girl. What Chance does not know is that he has unwittingly infected the girl. Boss Finley, political despot and father of the girl, and his sadistic son and toadies lay in wait for his return and their revenge. Chance is deserted by his patroness, and far worse, his youth!

A Christmas Carol (November 20 – December 6, 2002)

A Pageant by Charles Dickens, adapted by John Mortimer

“And so, as Tiny Tim observed, God Bless Us, Every One!”

Dramatized with wit and flair in a version first performed by the Royal Shakespeare Company in 1994, this adaptation of the ageless story beautifully captures Dickens’ ironic point of view while creating a panoramic view of Victorian London. All of the beloved characters are in place. Ebenezer Scrooge and the ghost of his former partner, Marley; Bob Cratchit and his loving Tiny Tim; the Fezziwigs; and, of course, those vaporous spirits of Christmas Past, Present and Yet to Come. Wonderful family entertainment filled with laughter, tears, and beloved seasonal music. An amazing opportunity to introduce young members of the family to one of the English-speaking world’s great authors, and to the magic of live theatre!

Plaza Suite (September 19 – October 5, 2002)

A Comedy by Neil Simon

“A wonderfully happy and gratifying evening of sheer entertainment. Richly funny!”

“Stage Centre Productions gives us a fine ‘Plaza Suite’ … The actors’ energy never flags” – Mirror/Guardian

Hilarity abounds in this portrait of three couple successively occupying a suite at the Plaza Hotel in New York City. A suburban couple takes the suite while their house is begin painted, and it turns out to be the one in which they honeymooned. This wry tale of marriage in tatters is followed by the exploits of a Hollywood producer who, after three failed marriages, is looking for fresh fields. Enter a childhood sweetheart! The last couple is a mother and a father fighting about the best way to get their daughter out of the bathroom and downstairs to the ballroom where her wedding guests await.

The Scarlet Pimpernel (May 2-18, 2002)

A Drama by Baroness Orczy, adapted by Beverley Cross

First performed in 1903, The Scarlet Pimpernel was the most successful play of its day – archetypal Edwardian theatre and the precursor of romantic Hollywood historical epics. This new adaptation, first presented at England’s Chichester Festival and then as a long-run West End production, brings to modern audiences the tale of the elusive English hero who snatches helpless innocents from death during the French Revolution, and rescues the Comte de Tournai with the enemy hot on this trail. The Scarlet Pimpernel works in the shadows, his identity unknown even to his immediate followers. He stands for English stability and against chaos and passionate fanaticism.

Incident at Vichy (March 7-23, 2002)

A Drama by Arthur Miller

An intense, meaningful play which deals with the Nazis’ inhuman treatment of the Jews – and the burden of guilt which all men must share. In 1942, in the detention room of a Vichy police station, eight men have been picked up for questioning. As they wait to be called, they wonder why they were chosen. At first, their hopeful guess is that only their identity papers will be checked. But it soon develops that all of them are Jews or are suspected to be. One by one they disappear for interrogation until only two remain. The startling change of events at the end of this gripping play, redeems, at least in part, the concern and honour of decent men everywhere.

The Rainmaker (January 10-26, 2002)

A Romantic Comedy by N. Richard Nash

At the time of a paralyzing drought in the American West, we discover a girl whose father and two brothers are worried as much about her becoming an old maid as they are about their dying cattle. Every possible scheme to marry her off is without success. Nor is there any sign of relief from the dry heat. But into their midst comes a picaresque character with a mellifluous tongue and the most grandiose notions a man could imagine. He claims to be a rainmaker! And he promises rain for only $100! Silly idea though it is, he is so refreshing, the family consents. The rainmaker turns his magic on the girl and persuades her she has a very real beauty of her own. Rain does come, and so does love.